From Fascination to Folly: A Troubled History of Collecting since the 1600s

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<p><strong>Charles Merewether</strong>, born in Edinburgh, received his BA (literature) and PhD in art history at the University of Sydney. He taught European modernism at the Universities of Sydney (1981-84), Universidad Iberoeramericana, Mexico City (1986-88), and Universidad Autonoma in Barcelona. He received a research fellowship from Yale University (1991), was Inaugural Curator for the Museo de Arte Contemporaneo de Monterrey, Mexico, (1991-1994), Curator at the Research Institute, Getty Center, Los Angeles (1994-2003) and taught at the University of Southern California. He was Artistic Director of the Sydney Biennale (2004-2006), Deputy Director of the Cultural District, Saadiyat Island, Abu Dhabi (2007), Director of the Institute of Contemporary Arts, Singapore, (2010-2013), Visiting Professor at Nanyang Technological University, Singapore (2014) and Baptist University, Hong Kong (2015). He was Curator of Contemporary Art, National Art Museum in Tbilisi, Georgia (2016-2019). His books include: In the Sphere of the Soviets (2021), State of Play: Art in Georgia 1985-2000 (2017), After Memory: The Art of Milenko Prvacki (2013) and Under Construction: Ai Weiwei (2008), He was co-editor of After the Event (2010), editor of both Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-1970, (2007) and The Archive (2006).</p>

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