Energy and Forces as Aesthetic Interventions

Zusatztext

This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to the energetic in its aesthetic and political potential. Energetic processes cross dance, performance art and installations. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. They transform the body, evoke specific states and push towards intensities. International contributors (i.e. Gerald Siegmund, Susan Leigh Foster, Lucia Ruprecht) unfold thorough investigations, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and promises associated with the energetic.

Autorenportrait

Barbara Gronau is Professor of Theatre Studies at the Berlin University of the Arts and spokesperson of the research training group Knowledge in the Arts, funded by the German Research Fund (DFG). She received her Ph.D. for her dissertation Theaterinstallationen. Performative Räume bei Beuys, Boltanski und Kabakov (2010), for which she obtained the 'Joseph Beuys Award for Research'. Since her interest is also in theatre practice, she worked as a dramaturg and curator for several theatre productions and festivals.

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