Tracing the Shadows of the Real through Interstitial Drawing in Art

Zusatztext

Interstitial drawing and diagramming enable us to reveal and engage with the unseen that exceeds the limits of the known. As a condition of emergence and transitionality, interstitiality inspires our engagement with the interacting layers of the real. In an effort to read the obscure areas between 0 and 1, the unanticipated relations and tensions between thinking, experimentation, observation, representation and mathematical models can be innovatively revealed, reconditioning the parameters of vision, energy, information and matter. Through interstitial drawing and diagramming, unknown situations, e.g. inaccessible complexities, paradoxes and potentialities, inspire innovative practice and research in art and the related fields. The conditions and phenomena of space may become part of the creative process directly or indirectly. Code and software are used not as a blank paper, but as a generative, transitional and unstable environment. Phase spaces and in-formation geometries emerge through the dialogue and the critical limits of philosophy, mathematics, optics, information technology and cosmology.

Autorenportrait

Artist, writer, editor, critic, educator. AHRC-funded PhD, MA, BA Fine Art, Surrey Univ./WCA. Lecturing MArch Westminster University, London. 53rd & 50th Venice Biennale, Tate Britain, Leonardo/MIT, ISEA2010-2, LFA/Cultural Olympiad 2012, Digicult, Spéciale Z (ECA Paris), TRACEY, NY DigitalSalon, Marks in Space 2004, Mall Galleries, ABC: MTL (CCA).

Weitere Details