Gender Ambiguity in Shakespeare's Macbeth

Zusatztext

Essay from the year 1996 in the subject English Language and Literature Studies - Literature, grade: 1, University Of Wales Institute, Cardiff (Cardiff School of English, Communication and Philosophy), course: Shakespeare's Tragedies, language: English, abstract: Probably the most powerful lines lingering in the readers or audiences memory after experiencing Macbeth are the heros words in reaction to the news of the death of his spouse:Out, out, brief candle!Lifes but a walking shadow, a poor playerThat struts and frets his hour upon the stageAnd then is heard no more. It is a taleTold by an idiot, full of sound and fury,Signifying nothing. (V, 5, 23-28)When life signifies nothing, does this play signify anything? However simple the question may seem, the answer is hardly straightforward. Trying to stay away from moralising about vaulting ambition that doesnt pay in the end I would like to speculate about possible significations of the play, not necessarily connected to the plot, or to put it in another way, examine the possibly significant themes and motives recurrent in the play: ambiguity, uncertainty or indeterminacy of meaning. Equivocation is the term used in the play itself (e.g. the porter scene in III, i) and it well captures the theme of walking the tightrope above the abyss of single, definite meaning on one hand, and the endless proliferation of meaning on the other. One cannot escape the impression that the thematically prominent characters of the play (Macbeth, Lady Macbeth, the witches, the Porter) virtually evade committing themselves to definite meanings.

Weitere Details