Antisemitische Symbole in Kunstobjekten

Zusatztext

How do anti-Semitic worldviews become manifest in works of art? What impact does their manipulative visual power have in cultural struggles up to the present day? These questions are more pressing than ever, considering anti-Semitisms worldwide resurgence, which was also evident at documenta fifteen. The contributions in this volume reveal how anti-Semitism operates as a visual code, sometimes in a striking and sometimes in a subversive manner. They analyse motifs of traditional Christian anti-Judaism, nationalist and anti-capitalist anti-Semitic imagery, and the interactions of anti-Semitic and colonialist cultural techniques. In addition, the publication offers insights into Nazi provenance research and suggests curatorial strategies for dealing with anti-Semitic sources and objects. - New image-historical and critical research on anti-Semitic codes  Social, political, and economic contextualisation of antiSemitic cultural techniques Curatorial strategies for dealing with antiSemitic art objects With contributions in German and English

Autorenportrait

Ines Gerber, post-graduate school Belongings, Leipzig University, Meike Hopp, German Lost Art Foundation / University of Cologne, Dorothee Wimmer, Centre for Art Market Studies / Technische Universität Berlin With contributions by Peter Bell, Gabriela Benner, Nikolaus Bernau, Johanna Bork, Christina Brinkmann, Louisa Denker, Ines Gerber, Meike Hopp, Andreas Huth, Sylvia Karges, Alexey Markin, Mira Anneli Naß, Anne D. Peiter, Nora Sternfeld, Julia Stolba, Elke Anna Werner, Annika Wienert, Dorothee Wimmer

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