Contemporary Latin American Cinema

Zusatztext

<p><i>Contemporary Latin American Cinema</i> investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies and the films that depict recent transformations in many Latin American countries, demonstrating how contemporary Latin American film has not only criticized and resisted, but also benefitted from neoliberal advancements. Based on films produced in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico and Peru since 2010, the fourteen case studies illustrate neoliberalism¿s effects, from big industries to small national cinemas. It also shows the new types of producers that have emerged, and the novel patterns of distribution, exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, thisbook establishes an informative and accessible text for scholars and students alike.</p>

Autorenportrait

<p><b>Claudia Sandberg</b> is a filmmaker and Senior Research and Teaching Fellow at the University of Melbourne, Australia. Her research is concerned with relations between European and Latin American cinemas. Sandberg co-directed <i>Peliculas Escondidas </i>(2016), a documentary about Chilean émigré artists in East Germany, and is co-editor of <i>The German Cinema Book 2 </i>(2018).</p> <p><b>Carolina Rocha</b> is Professor of Spanish at Southern Illinois University Edwardsville, USA. She specializes in contemporary Latin American cinema. She is author of <i>Argentine Cinema and National Identity (1966-1976)</i> (2017) and <i>Masculinities in Contemporary Argentine Popular Cinema</i> (2012), and editor of <i>Modern Argentine Masculinities</i> (2013) and several other volumes about Latin American film.</p>

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