Migrating Histories of Art

Zusatztext

<p>Art historians have been facing the challenge even from before the advent of globalization of writing for an international audience and translating their own work into a foreign language whether forced by exile, voluntary migration, or simply in order to reach wider audiences.</p><p><em>Migrating Histories of Art</em> aims to study the biographical and academic impact of these self-translations, and how the adoption and processing of foreign-language texts and their corresponding methodologies have been fundamental to the disciplinary discourse of art history. While often creating distinctly "multifaceted" personal biographies and establishing an international disciplinary discourse, self-translation also fosters the creation of instances of linguistic and methodological hegemony.</p>

Autorenportrait

<strong>Maria Teresa Costa,</strong> Kunsthistorisches Institut, Florenz;<strong>Hans Christian Hönes,</strong> Warburg Institute, London.

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