Dance, Performance and Visual Art

Autorenportrait

<p><strong>Linda E Dankworth</strong> is an independent dance ethnographer and ethnochoreologist and has published extensively on Mallorquin dance. She is the joint editor of <em>Dance Ethnography and Global Perspectives: Identity, Embodiment and </em>Culture, Palgrave Macmillan (2014). She established the `Dance Histories¿ Degree Course at the School of Liberal and Performing Arts, University of Gloucestershire in 2019. Linda is also Co-Director and founder of the workshops of the World Folk Dance Festival, Palma, Mallorca (2005-2011).</p> <p><strong>Henia Rottenberg</strong> is a dance studies scholar, whose interests focus on the dialogue between dance and visual art and on dance in Israel. She is co-editor of Resling books (in Hebrew): <em>Dance Discourse in Israel</em> (2009), <em>Sara Levi-Tanai</em> (2015) <em>Points of Contact</em> (2018), editor of <em>Bat-Dor: The Story of a Dance Company</em> (2020)<em>,</em> and a co-editor of <em>Moving through Conflict</em> (2020). Henia lectures in the Theatre Studies faculty at Western Galilee College, Israel, and was Head of the Dance Theatre Program from 2012-2019.</p> <p><strong>Deborah Williams</strong> is a senior lecturer in Dance Studies at the University of Malta. She holds a BA in Dance with a focus on education and community partnerships from Smith College (Five College Dance Department) USA. From the University of Roehampton in London, Deborah received both an MA in Dance Anthropology and a PhD in Dance. Her research is rooted in the fields of dance anthropology, ethnography, and oral history, and centres around highlighting the voices of non-professional dancers. Her current research areas include investigating dance, social value, and representation, and dance/movement within digital game design.</p>

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