Anthony Burgess, Stanley Kubrick and A Clockwork Orange

Zusatztext

This book brings together a diverse range of contemporary scholarship around both Anthony Burgesss novel (1962) and Stanley Kubricks film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubricks film and the 60th anniversary of Burgesss novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgesss recently discovered sequel The Clockwork Condition; the cold war context of both texts; the historyof the script; the politics of authorship; and the legacy of bothincluding their influence on the songwriting and personas of David Bowie!

Autorenportrait

Matthew Melia is a senior lecturer in film, media and English literature at Kingston University, UK. He is co-editor of The Jaws Book: New Perspectives on the Classic Summer Blockbuster (2020) and a special edition of Historical Journal of Film, Radio and Television:  50 Years of A Clockwork Orange (2022).Georgina Orgill is the Stanley Kubrick Archivist at University of the Arts London, UK, where she is responsible for managing the Stanley Kubrick Archive. She is a qualified archivist with an MA in Archives and Records Management.

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