Alchemy, Paracelsianism, and Shakespeare's The Winter's Tale

Zusatztext

This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare¿s last plays, <i>The Winter¿s Tale</i>. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several <i>topoi</i>, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play¿s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare¿s play: the intertwined serpents of the caduceus, the chemical wedding, the <i>filius philosophorum</i>, and the so-called <i>rex chymicus</i>. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that <i>The Winter¿s Tale</i>, in symbolically retracing the healing pattern of the <i>rotaalchemica</i> and in emphasising the Hermetic principles of unity and concord, glorifies King James¿s conciliatory attitude.

Autorenportrait

<div><b>Martina Zamparo</b> received her doctoral degree <i>cum laude</i> in linguistic and literary studies from the University of Udine, Italy. She has conducted part of her doctoral research at the Warburg Institute, University of London, UK, and has been an adjunct lecturer in English literature at the Universities of Trieste and Udine, Italy, where she has also worked as a postdoctoral fellow. </div>

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