Film, Cinema, Genre

Zusatztext

<p>This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neales vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies position as an innovative discipline within the humanities.</p><p>Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes<em>Genre</em> (1980) and<em>Genre and Hollywood</em> (2000), and articles scrutinizing individual genres the melodrama, the war film, science fiction and film noir   this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies.</p><p>The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neales work, and contextualizes it within the development of UK film studies.</p><p>DOI:<a href="https://doi.org/10.47788/YRCC6901">https://doi.org/10.47788/YRCC6901</a></p>

Autorenportrait

<p><strong>Steve Neale</strong> is Emeritus Professor of Film Studies at the University of Exeter. He is the author of<em>Genre and Hollywood</em> (2000), co-author of E<em>pics, Spectacles and Blockbusters: A Hollywood History</em> (2010), editor of<em>The Classical Hollywood Reader</em> (2012), co-editor of<em>Un-American Hollywood: Politics and Film in the Blacklist Era</em> (2007) and<em>Widescreen Worldwide</em> (2010), and a contributor to<em>Film Moments: Criticism, Theory, History</em> (2010) and to<em>Film Studies and Movie</em>.</p><p>He has been a Series Editor of Exeter Series in Film History. He was recipient of BAFTSSs Outstanding Achievement Award in 2017.</p><p><strong>Frank Krutnik</strong> is a Reader in Film Studies at the University of Sussex. He is the author of<em>In a Lonely Street: Film Noir, Genre, Masculinity</em>(1991),<em>Popular Film and Television Comedy</em>(with Steve Neale, 1990) and<em>Inventing Jerry Lewis</em>(2000), and editor of<em>Hollywood Comedians: the Film Reader</em> (2003),<em>Un-American Hollywood:</em><em>Politics and Film in the Blacklist</em> Era (with Steve Neale, Brian Neve, Peter Stanfield, 2003) as well as special issues of<em>New Review of Film and Television Studies</em> and<em>Film Studies</em>.</p><p><strong>Richard Maltby</strong> is the Matthew Flinders Distinguished Emeritus Professor of Screen Studies at Flinders University, Adelaide. A Fellow of the Australian Academy of the Humanities, he has published extensively on the cultural history of Hollywood and edited eight books on the history of cinema audiences, exhibition and reception, including<em>Going to the Movies: Hollywood and the Social Experience of Cinema</em>(UEP, 2007; co-edited with Melvyn Stokes and Robert C. Allen). He is a Series Editor for Exeter Studies in Film History.</p>

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