The fictions of Arthur Cravan

Zusatztext

The legendary poet and boxer Arthur Cravan, a fleeting figure on the periphery of early twentieth-century European avant-gardism, is frequently invoked as proto-Dada and Surrealist exemplar. Yet he remains an insubstantial phenomenon, not seen since 1918, lost through historical interstices, clouded in drifting untruths. This study processes philosophical positions into a practical recovery from nineteenth-century Nietzsche to twentieth-century Deleuze with thoughts on subjectivity, metaphor, representation and multiplicity. From fresh readings and new approaches of Cravans first published work as a manifesto of simulation; of contributors to his Paris review<i>Maintenant</i>as impostures for the Delaunays; and of the conjuring of Cravan in Picabias elegiac film<i>Entracte</i> <i>The fictions of Arthur Cravan</i> concludes with the absent poet-boxers eventual casting off into a Surrealist legacy, and his becoming what metaphor is: a means to represent the world.

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