Historical Dictionary of the Broadway Musical

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<span><span>The Broadway musical has greatly influenced both American and world culture. Shows such as</span><span>Oklahoma!</span><span> and</span><span>Annie Get Your Gun</span><span> are as American as apple pie, while the long runs of imports such as</span><span>Cats</span><span>,</span><span>The Phantom of the Opera</span><span>, and</span><span>Les Misérables</span><span> have broken records. Shows filled with rock and pop music such as</span><span>Mamma Mia!</span><span> and</span><span>Wicked</span><span> enthrall audiences, and revivals of beloved shows play an important role in contemporary Broadway culture. Actors Ethel Merman, Yul Brynner, Julie Andrews, Bernadette Peters, and Audra McDonald; composers and lyricists Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, John Kander, Fred Ebb, and Jeanine Tesori; and directors and choreographers George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stromanto name only a fewhave gained national and international recognition by way of the Broadway musical stage.<br><br>This second edition of</span><span>Historical Dictionary of the Broadway Musical</span><span> contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on Broadway shows, composers, playwrights, directors, producers, designers, actors, and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about Broadway musicals.</span></span>

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<span><span>William A. Everett</span><span> is Curators Professor of Musicology at the University of Missouri-Kansas City Conservatory of Music and Dance, where he teaches courses ranging from medieval music to musical theater. He has written books about operetta composers Sigmund Romberg and Rudolf Friml, and with Paul R. Laird, he is coeditor of</span><span>The Cambridge Companion to the Musical</span><span>.</span></span><br><span></span><br><span><span>Paul R. Laird</span><span> is Professor of Musicology at the University of Kansas, where he teaches course in music history and musical theater and directs the Instrumental Collegium Musicum. He is the author of</span><span>The Baroque Cello Revival: An Oral History</span><span>(2004), Wicked:</span><span>A Musical Biography</span><span> (2011), and</span><span>The Musical Theater of Stephen Schwartz: From</span><span>Godspell</span><span>to</span><span>Wicked</span><span> and Beyond</span><span> (2014).</span></span>

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