Class, Crime and International Film Noir

Zusatztext

Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.

Autorenportrait

Dennis Broe is Professor of Media Arts at Long Island University, USA. His <em>Film Noir, American Workers and Postwar Hollywood</em> was a Choice Outstanding Academic Book. He has written widely on political economy, studio history, and the Western in <em>Cinema Journal</em>, <em>Jump Cut</em>, <em>Film and History</em>, <em>Framework</em>, <em>Social Justice</em>, <em>Situations</em>, and <em>Newsday</em>. He is also a film critic on Pacifica Radio.

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