Pop-Rock Music

Zusatztext

<p>Pop music and rock music are often treated as separate genres but the distinction has always been blurred.  Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more.</p><p>This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways.  Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices.</p><p>Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.</p>

Autorenportrait

Motti Regev is professor of sociology at The Open University of Israel where he works on the sociology of culture and art and popular music studies.

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