Reclaiming Popular Documentary

Zusatztext

<p><b>The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars.</b></p><p><i>Reclaiming Popular Documentary</i>reverses this long-standing tendency by showing that documentaries can beand aremade for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of<i>popular</i> to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary formsincluding web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demandand offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media.</p><p>By combining perspectives of scholars and makers,<i>Reclaiming Popular Documentary</i>brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.</p>

Autorenportrait

<p>Christie Milliken is Associate Professor in the Department of Communication, Popular Culture and Film at Brock University. She is author of journal articles and book chapters on sex education film and video, 1960s cinema, and AIDS video activism. Steve F. Anderson is Professor of Digital Media in the UCLA School of Theater, Film and Television and in the Department of Design Media Arts. He is author of<i>Technologies of History: Visual Media and the Eccentricity of the Past</i> and<i>Technologies of Vision: The War Between Data and Images</i>.</p>

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